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During the period of Dollikin
production, the comic-book character Wonder Woman became plain
old Diana Prince, a mortal crusader versed in karate rather than
endowed with superpowers. Ditching her star-spangled costume
in 1968, Diana wore hip, form-fitting clothes from her own mod
boutique until she regained her Amazon powers in 1972.
Like this proto-feminist
version of Wonder Woman, Dollikin embodies the era's clash between
the burgeoning movement for women's rights and the still-powerful
image of ideal femininity: Dollikin is both a powerful ordinary
woman and a gorgeous clothes-horse. Even Dollikin's face reflects
this conflict: depending on her hairdo, haircolour and outfit,
Dollikin can seem either sophisticated, cool and independent
or sweet, warm and marriageable.
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